Read Junk Jet n°1 °.°

 

FARMERS MANUAL

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of this process coupled system with kind of of a manner as it is

undergoing the local atmosphere.

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Oscillation processes in rendering of infinitely rendering a

manner as modeled by machines are by machines humbly.

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in a partially modal world, multisensory disturbance conglomerates of musical

and technological instruments synthesize through the interaction of barely

comprehensibly many oscillation processes. \ `. ,”—-._ ”=P`8\| ‘.

`+:i /’,-‘ `-|:P_ | ,b different music becomes sound as it

identifies itself as operations on the organization of a subset of such

processes, disregarding boundaries of occlusion. improvisation, networked

occlusion in a synthetic world. performances and remote collaboration prolong

the idea of openness and reinterpretation. continuously expanding. TOTAL

AUTOMATION vs. HUMAN INTERACTION.

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dissolution and clumsiness through manual change and ecstatic fiddling into an

imaginative state of complex monotony, `P’ “”:.=P=P”\=- :””:,\’. `.

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`..structured calm and chill, or endless

associative babbling. so that towards the end the authors become the audience

and the audience stretches to “-.\ | / —–:.._`::’–. +

the horizon, populated by machines infinitely

rendering a stream of slight semantic madness. further, extracting a shadow

from the skeleton of network flow. ‘-._ `-.

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A layer of technological reality usually

hidden becomes accessible through mediation across sound and visual flicker.

Erratically shifting from

chittering machines into the human realm. reply in

cojoined different.

multisensory disturbance communication, electromagnetism,

nuclear fusion and ecstatic -ification, `P’ “”:.=P=P”\=- :””:,\’. `.

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`.. tools for near instantaneous endless

possible through local atmospace delay. It is thetic and politich cant? fusion

and nuclear decay. It is the cause of topological 3-dimensionality of linear

space, of left-right-asymmetry, as well as of anisotropy of time. defect. all

of these phenomena are physical effects which arise at the transition from

logarithmic into linear space. The standing wave in logarithmic space now

allows us to communicate across astronomical distances practically without

time delay. `P’ “”:.=P=P”\=- :””:,\’. `.

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`.. How is this possible?

with the help of babbling. solution

my tea, fiddling into imaging into imaginative.

my cup of tea fed by machines only

second calm and chift the leaves:

252 infinitely renderin a modely rendering boundaries of become quotation a

model world synthesic identifies:

as operation of barely comprehensibling. subset of such processes occuring as

stream during the performance we seek to shift the local atmosphere.

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my cup of this. itself as occuring -ing images.

music identifies machillation pronted calm and change.

252 including interachines onotony, structuring in different leaves.

cojoined performance wasn’t sure the atmosphere from dissolution and clowns

extended the structures called into

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become guardians and the audience can become the speech population, the

machines only shatter, can’t get out of infinite rendering. “in a model

world distorted, flickering images”

“during the performance we organization of barely comprehensible manual change

atmosphere”

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NBC drew the fall was listen to shift and looking at this year of

this solution is to floss our room at a Chinese and extended

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and cemented the man lost all of this in the string and

so is installed.

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flickering image’s is this a built-in feature